No More Games. by Benny Andrews, 1970.
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Editorial note: This article was published in Russian in the Essence of Time newspaper on September 25, 2020.
The Black Lives Matter movement is a modern pseudoleftist organization; and as such, it is entirely in tune with the times.
Articles
Demonstrators fight with police at the Capitol, USA. January 6, 2021
“Bloody October”… “Ridiculous January”… What’s next?
1The Trump supporters did not rein in the provocateurs and did not kick them out of their ranks, but gladly followed after them.
The Trump supporters did not rein in the provocateurs and did not kick them out of their ranks, but gladly followed after them.
"This protest was stifled by the noise of private conversations" from Scenes from the Private and Public Life of Animals by J. J. Grandville.
ca. 1837–47
Coronavirus — its goals, authors, and masters. Part X
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(Links to previous Chapters are available here: Part I, Part II, Part III, PartIV, PartV, PartVI, PartVII, Part IX)
Hegemony is the credo of the neoconservative movement. Its leaders have insisted since the middle of the 20th century that the United States is obliged to exercise global humane hegemony over the world by virtue of the absolute superiority of its cultural and socio-political values.
Prisoners Round by Vincent van Gogh, 1890
The Coronavirus as a Mirror for Humanity
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January 13, 2021.
In 2020, the world was knocked off balance by the COVID-19 pandemic. Before this happened, it seemed for many of the more fortunate people inhabiting this planet, that life was built on a firm foundation, and that little could happen to disrupt it. Many people probably had very similar thoughts on September 10, 2001.
Continue reading
The Evil Genius of a King by Giorgio de Chiricho, 1914-1915
Coronavirus – its goals, authors, and masters. Part IX
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(Links to previous Chapters are available here: Part I, Part II, Part III, PartIV, PartV, PartVI, PartVII)
The prevailing global trend became dominant after the collapse of the USSR. They did not destroy the USSR to bestow the graces of the market on everyone. They did it to drive humanity into unheard-of slavery. And the COVID story is just one of the stages of this enslavement.
Jan van Ijken. Blood is drawn from the mouse’s tail to test the safety of a vaccine. 2004
Coronavirus – its goals, authors, and masters. Part VII
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(Links to previous Chapters are available here: Part I, Part II, Part III, PartIV, PartV, PartVI)
Global quarantines are an unprecedented mechanism. And this model came out of a center created by Mr. Donald Rumsfeld – a very fierce, tenacious, particularly vicious and eccentric Secretary of Defense under President George W. Bush.
Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone by Salvador Dali, 1938.
A natural mutation could not have done such a thing…
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This is an interview of Igor Nikulin a microbiologist, expert on chemical and biological weapons and former member of the UN Commission for Biological Weapons, to the Associated Press (not published by the AP, we are publishing this with permission from Igor Nikulin)
The Solidity of Fog by Luigi Russolo. 1912
Coronavirus – its goals, authors, and masters. Part VI
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(Links to previous Chapters are available here: Part I, Part II, Part III, PartIV, PartV)
The quarantine era in the vast expanses of our homeland is coming to an end. Does this mean that we can forget the coronavirus story as a kind of nightmare, that it has vanished “like a dream, like a morning fog?” I don’t think so.
SARS-CoV 2 image obtained by transmission electron microscopy at the National Institute of Allergy and Infectious Diseases in Fort Detrick
Coronavirus – its goals, authors and, masters. Part V
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(Links to previous Chapters are available here: Part I, Part II, Part III, PartIV)
July 3, 2020.
Will someone say that mother nature went and urgently created all of this? For mother nature is never in a hurry. Her powerful trends are devoid of such a discontinuity, without which it is impossible to explain the appearance of COVID-19.
Microcosm diagram of the mind. Engraving from the second
book of Robert Fludd. 1619–1621